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The Small photographs and postcards series of the General Photographic Collection contains approximately 5,000 prints smaller than 4 x 5 inches and 5,000 picture postcards that cover a wide range of subjects, especially historic buildings and transportation. There is a significant group of images of seventeenth and eighteenth-century structures which a number of architectural historians took in the approximate period of 1910 to the mid-1940s. Of particular value are those pictures made in the course of repair or restoration that reveal structural features. Overall, the emphasis is on domestic architecture, notably on Cape Cod, in southeastern Massachusetts, Rhode Island, and eastern Connecticut.
The subject areas of the small photographs of exceptional strength are sailing vessels, arranged by vessel name; lighthouses from Maine to New York Harbor; trains and railroad stations; and miscellaneous vehicles.
The Postcards series of the General Photographic Collection contains approximately 5,000 items, ranging in date from the 1890s to 1980s.
Postcards are an important source of documentary information about a variety of commercial, residential, civic, and industrial buildings which were often ignored by photographers in search of the picturesque. They have left a record of many hamlets and small towns which otherwise would have gone unrecorded in the photographic record, as well as the major resorts and main streets whose glory has faded.
The geographic scope of the postcards is very exapnsive. Boston is most richly documented, followed by resorts and important manufacturing centers throughout New England. Small town merchants often commissioned postcard views of local sites of interest, such as civic buildings, parks, and imposing residential streets, which provide otherwise unavailable information about many areas not typically considered tourist attractions.
In the Standard-size photographs series of the General Photographic Collection, there are 8 x10 photographic proofs for many of the postcards manufactured by Thomson & Thomson and the New England News Company. On the versos of each print are detailed instructions for hand-coloring the images. Many proofs show evidence of manipulation in the form of decals of cars or pedestrians, which were intended to enliven these scenes.
Source: Guide to the Library and Archives, 4-6.
parks (recreation areas)
trains (vehicle groupings)
black-and-white prints (photographs)
ca. 5,000 photographic prints : black-and-white, + ca. 5,000 picture postcards : color and black-and-white
ca. 5,000 picture postcards : color, black-and-white
General photographic collection
Boston (Suffolk county, Massachusetts)
Cape Cod (Barnstable county, Massachusetts) [peninsula]
Rhode Island (United States)
Connecticut (United States)
Maine (United States)
New Hampshire (United States)
Vermont (United States)
black-and-white prints (photographs)
New York Harbor (N.Y. and N.J.)
This series is arranged in two sub-series: geographic locations and subjects. There may also be additional subdivisions by such elements as the names of streets, structures, or photographers.
There are indexes by subject headings, photographers, and portrait sitters.
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