The last Ruskinians :Charles Eliot Norton, Charles Herbert Moore, and their circle /Theodore E. Stebbins, Jr., Virginia Anderson ; with Melissa Renn, Susan C. Ricci.

Collection Type

  • Books and periodicals

GUSN

GUSN-249412

Description

104 p. : ill. (chiefly col.) ; 27 cm., "Though the eminent nineteenth-century British critic and watercolorist John Ruskin never set foot in the United States, his writings were widely read here. American artists eagerly took up his call for the meticulous depiction of nature and the preservation through copying of some of the finest works of civilization before time or misguided restoration overtook them. His influence was disseminated by the legendary Charles Eliot Norton, the nation's first professor of art history, who taught at Harvard from 1874 to 1898, and by Norton's protege Charles Herbert Moore. The Last Ruskinians is the catalogue of an exhibition that traces Ruskin's impact on these teachers, their students, and many other artists and collectors." "The works represented here include floral studies, landscapes, architectural details, views of Venice, and copies after ancient, medieval, and Renaissance art. Most are in watercolor, Ruskin's favorite medium. Included are ten works by Ruskin himself, all drawn from the Harvard collections, and twice as many by his friend Moore, a Harvard drawing instructor and the Fogg Art Museum's first director."--BOOK JACKET.

Details

Descriptive Terms

Influence
Watercolor painting, American 19th century
Watercolor painting, English 19th century
Ruskin, John, Influence
Malerei.
Rezeption.
Prèaraffaeliten.

Originator

Stebbins, Theodore E.
Anderson, Virginia (Virginia M. Genevie)
Fogg Art Museum.
Harvard University. Art Museums.

Contents

Charles Eliot Norton : Ruskin's friend, Harvard's sage / Theodore E. Stebbins, Jr. -- "Plain faithful recording" : the art of Charles Herbert Moore / Virginia Anderson -- Charles Herbert Moore and the teaching of art at Harvard / Melissa Renn.

Publication

Cambridge, Mass. : Harvard University Art Museums

Description

104 p. : ill. (chiefly col.) ; 27 cm.
"Though the eminent nineteenth-century British critic and watercolorist John Ruskin never set foot in the United States, his writings were widely read here. American artists eagerly took up his call for the meticulous depiction of nature and the preservation through copying of some of the finest works of civilization before time or misguided restoration overtook them. His influence was disseminated by the legendary Charles Eliot Norton, the nation's first professor of art history, who taught at Harvard from 1874 to 1898, and by Norton's protege Charles Herbert Moore. The Last Ruskinians is the catalogue of an exhibition that traces Ruskin's impact on these teachers, their students, and many other artists and collectors." "The works represented here include floral studies, landscapes, architectural details, views of Venice, and copies after ancient, medieval, and Renaissance art. Most are in watercolor, Ruskin's favorite medium. Included are ten works by Ruskin himself, all drawn from the Harvard collections, and twice as many by his friend Moore, a Harvard drawing instructor and the Fogg Art Museum's first director."--BOOK JACKET.

Notes

"Published in conjunction with an exhibition organized by the Fogg Art Museum, Harvard University Art Museums, on view April 7-July 8, 2007"--T.p. verso.
Includes bibliographical references (p. [102]-104).
Received April 1, 2008.
Gift of Catherine Coolidge Lastavica (Copy 3)

ISBN

9781891771446 (pbk. : alk. paper)
1891771442 (pbk. : alk. paper)

Call Number

Stacks ND1807.S74 2007 c. 1
Coll. ND1807.S74 2007 c. 2
CPT CPT-01-110.1036

Other People and Orgs

Moore, Charles Herbert, 1840-1930
Norton, Charles Eliot, 1827-1908
Ruskin, John.

Material Type

Exhibitions.

Places

USA.